When DoorDash delivery driver Livie Rose Henderson posted a video alleging that one of her customers sexually assaulted her in October, it set off a firestorm of reactions.
Henderson’s TikTok claimed that when she was dropping off a delivery in Oswego, New York, she found a customer’s front door wide open and inside, a man on the couch with his pants and underwear pulled down to his ankles. Henderson was dubbed the “DoorDash Girl,” and her video accrued tens of millions of views, including some supportive and consoling responses to what she said she had endured on the job as a young woman. Many others on the platform made commentary videos that called into question Henderson’s alleged victimhood, defended the customer, and spread misinformation, with TikTok’s algorithm seemingly amplifying these “hot takes.” Then, following Henderson’s November 10 arrest—she has been charged with unlawful surveillance and the dissemination of unlawful surveillance imagery—a new wave of reactions emerged. (Police have dismissed her sexual assault allegation.)
None of these responses came from Black content creator and journalist Mirlie Larose.
But Larose opened TikTok one day to find dozens of messages from friends and supporters alarmed by a video of her responding to the situation in favor of the customer and DoorDash’s decision to terminate Henderson. (Henderson was fired for sharing a customer’s personal information online, DoorDash spokesperson Jeff Rosenberg tells WIRED.) As Larose stared at the video in disbelief, for a split second she second-guessed herself as she became flushed with anxiety about the comment section “tearing her apart.”
“Did I film this?” she asked. “It’s my face, it’s my hair.”
“Then, within three or four seconds, I noticed something’s off. There’s no way I said this. I didn’t [want to] talk about this topic,” Larose tells WIRED. The video had been AI-generated.
The situation highlights an increasingly common form of digital blackface, buoyed by the rise of generative AI. The term, popularized by culture critic Lauren Michele Jackson, describes various contemporary types of “minstrel performances” on the internet. This looks like the overrepresentation of reaction GIFs, memes, TikToks, and other visual and text-based media that use Black imagery, slang, gestures, and culture. TikTok’s reliance on attention-grabbing short-form video content, coupled with apps like Sora 2, has made it far easier for non-Black creators and bot accounts to adopt racialized stereotypical Black personas using deepfakes. This is also known as digital blackfishing.
In the midst of the DoorDash/Henderson controversy, users on TikTok began to notice two videos in particular: one from a bot account and another from an actual Black content creator parroting the same script. They adopted seemingly DARVO (Deny, Attack, and Reverse Victim and Offender) positions, minimizing the allegations Henderson made and justifying her termination: “I saw the original video posted by the DoorDash girl, and … I understand why DoorDash fired you and why you’re blocked from the app.” The videos go on to say, “As for the guy, I can see why everyone is saying he did it on purpose. But when you look at the original video, that couch is not in eye view unless you angle yourself and look over, and if you really want to break it down, he’s inside his house.” In a statement on Facebook, the Oswego City Police Department said the male was “incapacitated and unconscious on his couch due to alcohol consumption” and that the video was taken outside his house. Police also said they “determined that no sexual assault occurred.”
